World-renowned dancer and performance artist Eiko Otake bestowed her gifts on the Wesleyan community–and the astronomy community–just this past fall. On November 6 and 7, 2015, Otake performed a piece entitled “A Body in an Observatory.” The titular observatory, of course, was our very own Van Vleck. “A Body in an Observatory” is part of the artist’s larger series, “A Body in Places.”
On her professional website, Otake details her thinking on the performance: “I imagine how, 100 years ago, people must have been so excited in seeing this great telescope arrive to the Middletown community in 1916. How moved people must have been when they saw the stars in a way they had not seen before. Having spent some time in the observatory with the kind and patient Astronomer Roy Kilgard and local star enthusiasts, I wondered how I could have not been more tempted to see so deeply into the night sky. Beautiful, is the seemingly endless cosmos that continues expanding. Time and distance entwine in seeing stars and far into space. Beautiful, also, is the human curiosity striving for far places. It makes me feel a bit fearful, however, how far humans strive. Our body meanwhile remains our commonality (yet unknown), a vehicle to other places, a home to rest, and a reminder of our very limits of both the length and space that one person’s life occupies. My body is my measuring stick.”
Although all eyes are focused on Otake herself during the performance, the work is a product of collaboration. In fact, Roy Kilgard, professor of Astronomy at Wesleyan, worked closely with Otake in preparing, rehearsing, and ultimately performing this work of art. Among his many typical responsibilities, Professor Kilgard is the facilities manager of the observatory’s telescopes and computers, so
when Otake expressed desire to perform in the dome of the observatory, she and Professor Kilgard began working together because he was the only one who knew how to operate the telescope at the time. The two spent time rehearsing together and talking about astronomy and the history of the Van Vleck Observatory. During their first visits together, Otake observed Professor Kilgard conduct a training session with the Astronomical Society of Greater Hartford in the observatory’s dome. After looking through the telescope and watching Professor Kilgard operate it, she decided the telescope should move with her in the performance. In effect, she would create a duet of movement between herself and the 20-inch refractor telescope. Kilgard would help operate the telescope.
While this was Kilgard’s first time participating in an event like this at the observatory, it was not his first time being involved in creative projects.
“My father was a musician and I grew up playing in a lot of bad bands. The idea of being involved in performances doesn’t scare me. However, I had no theater or dance experience so the thought of working with one of the best, most famous contemporary dancers in the world terrified me a little bit. I really didn’t want to mess it up.”
During the performance, Otake would make signals to Professor Kilgard, alerting him to when she wanted him to move the telescope. They tried their best to create signals that were subtle in order to ensure that the audience would not be able to predict what would happen next.
Kilgard expressed his excitement for the event: “I was so excited to see people’s reactions, especially the people who had never been in that space before. In general I was so excited to see people’s reactions to something so weird happening in a space that was so purposely built for science 100 years ago and now there is something as far from that that you can get taking place in the same space.”
The performance itself is about forty minutes long, and Otake begins the piece by moving at a snail’s pace. “Once she really begins to move,” Kilgard explained, “people lose track of time and they become completely absorbed in what she was doing. All eyes were on her.”